滚石乐队精选专辑音乐试听
| Forty Licks |
| Artist |
The Rolling Stones |
| Album Title |
Forty Licks |
| Date of Release |
Oct 1, 2002 |
| AMG Rating |
 |
| Genre |
Rock |
| Tones |
Rebellious, Melancholy, Aggressive, Rowdy, Confident, Brash, Rousing, Rollicking, Playful, Boisterous, Freewheeling, Fiery, Humorous, Raucous, Harsh, Energetic |
| Styles |
Rock & Roll, Blues-Rock, Hard Rock, British Invasion, Pop/Rock, British Blues, Album Rock, British Psychedelia |
| Type |
compilation, mix album |
Forty Licks, like Elvis' Elvis 30 #1 Hits, is a career-spanning compilation that wouldn't have happened without the unprecedented, blockbuster success of Beatles 1. Where Elvis' set is hurt by the simple fact that there are too many damn Elvis comps on the market, the Rolling Stones benefit greatly from the fact that there has not been any set that chronicles all their recordings from the '60s through the '90s. It also benefits that this is the concept behind the record - it's meant to be a journey through their biggest songs, not just the number one hits. Of course, the Stones couldn't have had a CD containing just their number ones that spanned one disc, much less two, because they never topped the charts that frequently. This is a liberating thing (compare it to Elvis', which got weighed down with the number ones, resulting in some subpar selections), since it opens the door for almost every Stones song of note to feature on this collection, along with four new songs (not great, but solid songs, all). Sure, there are many great Rolling Stones moments missing, and not just fan favorites Beggars Banquet or Exile on Main Street, either - "Play With Fire," "2000 Light Years From Home," "Tell Me," "Heart of Stone," "Doo Doo Doo Doo Doo (Heartbreaker)," "Lady Jane," "Time Is on My Side," "Waiting on a Friend," "I'm Free," and "We Love You" are all missing in action. The thing is, as the disc is playing, you don't miss any of them, and it feels like all the hits are here. At first, the non-chronological order seems to be a mistake, but both discs flow well, especially since they're roughly divided thematically (the first is devoted largely to the '60s, with the rest on the second). Yes, the Stones made great albums that should be in any serious rock collection, but if you just want a summary of their best moments, Forty Licks is it; it does its job as well as Beatles 1 did. - Stephen Thomas Erlewine |
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| Marianne Faithfull |
- |
Vocals (bckgr) |
| Mick Jagger |
- |
Guitar, Harmonica, Percussion, Piano (Electric), Vocals |
| Al Kooper |
- |
Organ, Piano, French Horn |
| Dave Mason |
- |
Shenai |
| Ivan Neville |
- |
Vocals (bckgr) |
| The Rolling Stones |
- |
Producer |
| Mick Taylor |
- |
Bass, Guitar, Slide Guitar |
| Ron Wood |
- |
Bass, Guitar, Drums (Bass), Vocals (bckgr) |
| Charlie Watts |
- |
Percussion, Drums, Vocals (bckgr) |
| Madeline Bell |
- |
Vocals (bckgr) |
| Blondie Chaplin |
- |
Vocals (bckgr), Shaker |
| Sarah Dash |
- |
Vocals (bckgr) |
| Nicky Hopkins |
- |
Piano, Vocals (bckgr), Synthesizer Strings |
| Clydie King |
- |
Vocals (bckgr) |
| Ian McLagan |
- |
Piano (Electric) |
| Jack Nitzsche |
- |
Piano, Choir Arrangement |
| Doris Troy |
- |
Vocals (bckgr) |
| Bill Wyman |
- |
Bass, Maraccas, Vocals (bckgr), Bowed Double Bass |
| Brian Jones |
- |
Guitar, Harmonica, Piano, Marimba, Recorder, Sitar, Tamboura |
| Lisa Fischer |
- |
Vocals (bckgr) |
| Merry Clayton |
- |
Vocals |
| Bob Clearmountain |
- |
Mixing |
| Matt Clifford |
- |
Pre-Production |
| Gemma Corfield |
- |
Artist Coordination |
| David Costa |
- |
Photo Editing |
| Jim Dickinson |
- |
Piano |
| Sly Dunbar |
- |
Percussion |
| Bernard Fowler |
- |
Vocals (bckgr) |
| The Glimmer Twins |
- |
Producer |
| Glyn Johns |
- |
Engineer |
| Kick Horns |
- |
Brass |
| Darryl Jones |
- |
Bass |
| Chris Kimsey |
- |
Producer, Associate Producer |
| Tony King |
- |
Art Coordinator |
| Chuck Leavell |
- |
Organ, Piano, Keyboards |
| London Bach Choir |
|
|
| Bob Ludwig |
- |
Mastering Engineer |
| Stephen Marcussen |
- |
Mastering |
| Jamie Muhoberac |
- |
Bass, Keyboards |
| Nanette Newman |
- |
Vocals (bckgr) |
| Andrew Loog Oldham |
- |
Producer |
| Wayne Perkins |
- |
Guitar |
| Keith Richards |
- |
Guitar (Acoustic), Bass, Guitar, Guitar (Rhythm), Vocals, Vocals (bckgr), Bowed Double Bass |
| Steve Rosenthal |
- |
Restoration, Archives Coordinator |
| Louis Teran |
- |
Digital Editing |
| Don Was |
- |
Keyboards, Producer |
| David Wild |
- |
Liner Notes |
| Nicky Harrison |
- |
String Arrangements |
| Louis Jardine |
- |
Percussion |
| Waddy Wachtel |
- |
Guitar (Acoustic), Guitar (Electric) |
| Rocky Dijon |
- |
Percussion, Conga |
| Vanetta Field |
- |
Vocals (bckgr) |
| Bobby Keyes |
- |
Percussion, Saxophone |
| Anita Pallenberg |
- |
Vocals (bckgr) |
| Jimmy Miller |
- |
Percussion, Drums, Producer, Cowbell |
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